R. Luke DuBois
R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of cultural and personal ephemera. He holds a doctorate in music composition from Columbia University, and has lectured and taught worldwide on interactive sound and video performance. He has collaborated on interactive performance, installation, and music production work with many artists and organizations including Toni Dove, Todd Reynolds, Jamie Jewett, Bora Yoon, Michael Joaquin Grey, Matthew Ritchie, Elliott Sharp, Michael Gordon, Maya Lin, Bang on a Can, Engine 27, Harvestworks, and LEMUR, and was the director of the Princeton Laptop Orchestra for its 2007 season.
Stemming from his investigations of “time-lapse phonography,” his work is a sonic and encyclopedic relative to time-lapse photography. Just as a long camera exposure fuses motion into a single image, his projects reveal the average sonority, visual language, and vocabulary in music, film, text, or cultural information. Exhibitions of his work include: the Insitut Valencià d’Art Modern, Spain; 2008 Democratic National Convention, Denver; Weisman Art Museum, Minneapolis; San Jose Museum of Art; National Constitution Center, Philadelphia; Cleveland Museum of Contemporary Art, Daelim Contemporary Art Museum, Seoul; 2007 Sundance Film Festival; the Sydney Film Festival; the Smithsonian American Art Museum; PROSPECT.2 New Orleans; and the Aspen Institute. His work and writing has appeared in print and online in the New York Times, National Geographic, and Esquire Magazine. A major survey of his work, NOW, received its premiere at the Ringling Museum of Art in 2014, with a catalogue published by Scala Art & Heritage Publishers.
An active visual and musical collaborator, DuBois is the co-author of Jitter, a software suite for the real-time manipulation of matrix data developed by San Francisco-based software company Cycling’74. He appears on nearly twenty-five albums both individually and as part of the avant-garde electronic group The Freight Elevator Quartet. He currently performs as part of Bioluminescence, a duo with vocalist Lesley Flanigan that explores the modality of the human voice, and in Fair Use, a trio with Zach Layton and Matthew Ostrowski, that looks at our accelerating culture through elecronic performance and remixing of cinema.
DuBois has lived for the last twenty-two years in New York City. He is the director of the Brooklyn Experimental Media Center at the NYU Polytechnic School of Engineering, and is on the Board of Directors of the ISSUE Project Room. His records are available on Caipirinha/Sire, Liquid Sky, C74, and Cantaloupe Music. His artwork is represented by bitforms gallery in New York City.
Sile O’Modhrain is a professor at the University of Michigan where she holds a joint appointment in the School of Music and the School of Information. Her research focuses on human-computer interaction, especially interfaces incorporating haptic and auditory feedback. She earned her master’s degree in music technology from the University of York and her PhD from Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA). She has also worked as a sound engineer and producer for BBC Network Radio. Before taking up her position at the University of Michigan, Sile taught at the Sonic Arts Research Centre at Queens University Belfast and, from 2001-2005 directed the Palpable Machines group at Media Lab Europe. Here her work focused on new interfaces for hand-held devices that tightly couple gestural input and touch or haptic display.